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Permanenze
Main crossing point ever, the wagon of the Metro line becomes forChristian Flores a metaphoric place for people and stories passing their caducity.
Every story that does not persist, shows an absence.
The caducity of the images of people shot in the Metro, from terminal to terminal, in a certain piece of time, shows a inaccessible and unknown world made by different people -Europeans, Asians, South Americans, Africans- who take place, in a certain space, showing costumes, worries, behaviors that become comparable from face to face. Like a game of opposite contrasts which could never be seen if not for once and ever, whose only task is not to persist neither in time nor in space.
